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Creative tasks and timeline
To be considered for selection into the Bachelor of Music (Composition), you need to submit a course application and prepare a folio and a personal artistic statement.
If you're applying for multiple majors or instruments, you must submit more than one folio/audition – check the requirements for each major, as they do differ.
AMEB examinations are not a prerequisite for entry to the Bachelor of Music, but multi-year attainment in the AMEB system of repertoire, technical work (scales, arpeggios, etc.), and theory provides strong preparation for our program.
Start year intake 2027 timeline
What to prepare
Composition applicants are required to submit the following materials:
- Three original works (only) for any medium (at least one should be in score format). Submit no more than one orchestral piece, if any.
- Audio realisations/recordings should be supplied for all three works. Live recordings are encouraged where possible; MIDI realisations are acceptable, rendered as audio (mp3).
- One-minute test piece: write a new, original composition for bassoon and vibraphone (with audio realisation (mp3) and score (PDF)); duration up to one minute.
Submitted in video format (approximately 90 seconds duration), the personal artistic statement should address the following questions:
- Who are your musical heroes?
- What artistic ideals do you hold most passionately?
- Describe your dream compositional project.
How to submit your selection tasks
Your folio must be uploaded and submitted via SlideRoom. There is a small fee associated with submitting your tasks, which must be paid at the time of application unless you're eligible for a waiver. We recommend allowing plenty of time to prepare and submit your creative tasks. Applications received after the published closing day cannot be accepted.
How you'll be assessed
All applicants will be ranked according to the outlined criteria, up to the capacity of places in the course.
The folio will be evaluated according to the following criteria:
- Artistic conception
- Musical creativity
- Technique and craft
- Sonic effectiveness
- Potential for the development of an original voice